Nazanin Noroozi

The Rip Tide series; Elite 1984; Purl

Nazanin Noroozi’s work often begins with images from personal and family archives overlaid with landscapes, found imagery, and lo-fi graphics. In this series of works on paper, collectively titled The Rip Tide, and videos Elite 1984 and Purl, the artist invites viewers to look into fragmented narratives and experiences that reflect memories, displacement, and fragility. This project reflects Noroozi’s broader interest in the archeology of technology and personal archives, expressed through her use of alternative photographic processes, printmaking, and handmade cinema. This series navigates between still and moving images, the tactile quality of art objects, and transient moments of films to explore fragile states of being and ideas of home that never materialize.

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