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Nazanin Noroozi
The Rip Tide series; Elite 1984; Purl
Nazanin Noroozi’s work often begins with images from personal and family archives overlaid with landscapes, found imagery, and lo-fi graphics. In this series of works on paper, collectively titled The Rip Tide, and videos Elite 1984 and Purl, the artist invites viewers to look into fragmented narratives and experiences that reflect memories, displacement, and fragility. This project reflects Noroozi’s broader interest in the archeology of technology and personal archives, expressed through her use of alternative photographic processes, printmaking, and handmade cinema. This series navigates between still and moving images, the tactile quality of art objects, and transient moments of films to explore fragile states of being and ideas of home that never materialize.
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Nazanin Noroozi, Purl 2019, Stop-motion video, color, sound 02:41 minutes
Nazanin Noroozi, Elite 1984, 2018, Stop-motion video, color, sound 03:15 minutes
Nazanin Noroozi, The Rip Tide, 2020. Cyanotype, pastel and ink on paper, 20 x 28 inches
Nazanin Noroozi, Self Portrait, 2020. Silver gelatin print on aluminum, cyanotype on paper. cardboard and collage. Overall dimensions 15 x 17 inches